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22 Years Ago, One Perfect Twist Changed TV's Greatest Sci-Fi Series Forever

22 Years Ago, One Perfect Twist Changed TV's Greatest Sci-Fi Series Forever

polygon.com 17.10.2026 17:00 4 views
Twenty-two years later, Lost’s “Walkabout” remains a perfect TV twist that transformed John Locke and established the Island’s mystical power.

The best twists totally recontextualize everything that’s come before them. Mystery-box series master Damon Lindelof (Lanterns, Watchmen) once cited The Sixth Sense as the definitive example: The movie works if Bruce Willis is simply a psychiatrist helping a child who sees dead people — even if it’s a child hallucinating these haunting visions. Malcolm Crowe was dead all along, however, changes not just the ending, but the entire movie.

Lindelof told Vox in 2004 that the reaction is, “Oh, I didn’t even think I was sitting in that movie.” The twist makes The Sixth Sense “completely and totally transcendent. At the time, Lindelof was discussing his new series, Lost — which just four episodes in, had pulled off a mind-blowing twist arguably on the same level as The Sixth Sense. For its first few episodes, Lost seems like an ambitious survival drama with a dash of horror.

Oceanic Flight 815 crashes on a seemingly deserted tropical island. Its survivors contend with dwindling supplies, a rampaging monster, an inexplicable polar bear, and the unfortunate realization that rescuers are probably searching a thousand miles away from where they actually crashed. The flashbacks Lost uses initially seem pretty straightforward.

Many of them jump back to just before the fateful flight. Charlie (Dominic Monaghan) is secretly addicted to heroin. Kate (Evangeline Lilly) was a captive fugitive being escorted in handcuffs on the plane.

These details complicate the characters we meet on the island, but they don’t fundamentally alter our understanding of the show. For most of its 43-minute runtime, the fourth episode, “Walkabout,” isn’t all that shocking either. But it is a bit surprising to see that John Locke (Terry O’Quinn) — who seems like some kind of strange, dangerous, and capable survivalist perfectly suited to Island life — suffered through a humiliating office-drone existence before the crash.

Everybody underestimates or even ridicules him. Then, right at the end, we finally get a wide shot and see that he’s in a wheelchair. The same guy with a case full of hunting knives who boldly walks around the Island.

Extract — continue reading at the source.

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