At this rate, A24‘s red-hot movie about Theranos fraudster Elizabeth Holmes is primed to surpass $100 million domestically, a hugely impressive milestone for a nearly three-hour documentary. Over the weekend, “You Can See Everything” collected $8.8 million from 2,473 theaters in its fourth frame, a minimal 23% decline. It now ranks as the second-highest grossing non-music documentary ever in North America, above 2005’s “March of the Penguins” ($77 million) and behind Michael Moore’s 2005 film “Fahrenheit 9/11” ($119 million).
It’ll have to resonate with foreign audiences to topple the genre’s worldwide box office records. After opening to $15 million in mid October, the movie has continues to pack in crowds, many of whom have returned to theaters to process and unpack the stranger-than-fiction film. Directed by Nathan Fielder and Lance Oppenheim, “You Can See Everything” takes place over three years and begins as Holmes, the founder of the health technology company Theranos, is preparing for her 11-year prison sentence for defrauding investors.
The turnout for “You Can See Everything” is impressive considering there’s been plenty of films and television shows about Holmes. Her rise and dramatic fall from grace was immortalized in the Hulu series “The Dropout,” starring Amanda Seyfried, as well as Alex Gibney’s “The Inventor: Out for Blood in Silicon Valley.” All the secrecy around “You Can See Everything,” a project that nobody knew about until about a month before it landed in theaters, dialed up the anticipation. The doc’s popularity also speaks to the commercial appeal of Fielder, a master of cringe comedy.
He’s developed a flair for blending reality and fiction through shows like HBO’s “The Rehearsal” and Comedy Central’s “Nathan For You,” and moviegoers were intrigued to awkward witness the dynamic between him and Holmes. The unlikely box office powerhouse has even managed to outgrossed several major fall releases, including Oppenheim’s “Primetime,” a frenetic drama starring Robert Pattinson as “To Catch a Predator” host Chris Hansen ($46 million to date), DC’s comic book adventure “Clayface” ($56 million to date), Brad Pitt’s survival thriller “Heart of the Beast” ($67 million) and the Colleen Hoover adaptation “Verity,” led by Anne Hathaway and Dakota Johnson ($75 million). All of those movies were bolstered by months-long, multi-million dollar marketing campaigns.
For A24, “You Can See Everything” stands as the indie studio’s third-biggest domestic release ever, surpassing 2022’s “Everything Everywhere All at Once” ($77 million) and trailing only this summer’s “Backrooms” ($197 million) and 2025’s “Marty Supreme” ($96 million). With a $7 million production budget, it’ll be hugely profitable, too.
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