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Margherita Ferrari on Working With Paolo Sorrentino on Directorial Debut ‘Föa — Once Upon a Future’: ‘He Helped Me Pursue and Protect My Vision’

Margherita Ferrari on Working With Paolo Sorrentino on Directorial Debut ‘Föa — Once Upon a Future’: ‘He Helped Me Pursue and Protect My Vision’

variety.com 09.10.2026 12:48 6 views
Debuting Italian director Margherita Ferrari is at the Busan International Film Festival with “Föa – Once Upon a Future,” an innovative coming-of-age drama that also marks Paolo Sorrentino’s debut as a producer. Set in G

The film, bowing at Busan Film Festival, is set in Genoa in July 2001 when the G8 summit led to deathly clashes. Debuting Italian director Margherita Ferrari is at the Busan International Film Festival with “Föa – Once Upon a Future,” an innovative coming-of-age drama that also marks Paolo Sorrentino‘s debut as a producer. Set in Genoa during the tragic days in July 2001 when the G8 summit led to deathly clashes between protesters and police, “Once Upon a Future” tells the story of Nicole, an 18-year-old girl who is eight months pregnant and takes three protesters into her home.

Using a fable-like tone, the film provides a fresh perspective on the G8 violence that became a watershed moment in the anti-globalization movement. PiperPlay is handling international sales. Below, Ferrari speaks to Variety about what sparked “Once Upon a Future” creatively and its fortuitous production journey.

On July 20, 2001, I was only 4. I remember the windows and the typical green shutters of our living room in Genoa had to be closed because outside there was smoke and noise. So, even though it was summer and sweltering inside, we had to barricade ourselves in, staying in the dark.

That image came back to me during the pandemic. I had sought out that same feeling — of solitude, isolation and even powerlessness — while something much bigger than me and all of us, something powerfully collective, was happening outside. On a more personal level, I’ve always felt a certain disillusionment regarding the limits of my own power; how little impact I can actually have on the world or on contemporary reality.

It’s a feeling that hits me every time I speak about this subject. I know I’m not just talking about me. I see this reflected in so many of my peers, and perhaps in people in general, who are experiencing the world as it is today.

So there is that, combined with the lingering wound of those days and all the traces they left behind. Speaking as someone from Genoa, I felt a desire to tell a story that, even though it’s set in 2001, is really about the future and about today. Usually, fairy tales are set in the distant past.

Extract — continue reading at the source.

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