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How Keanu Reeves Landed in Stop-Motion Samurai Epic ‘Hidari’ – and Why S.S. Rajamouli Wanted to Know How It Was Made

How Keanu Reeves Landed in Stop-Motion Samurai Epic ‘Hidari’ – and Why S.S. Rajamouli Wanted to Know How It Was Made

variety.com 31.10.2026 05:38 14 views
Keanu Reeves joined Japanese stop-motion feature “Hidari” after watching the project’s pilot film, with his team getting back to the filmmakers about a week after the screening was arranged to set up a Zoom call, directo

Keanu Reeves joined Japanese stop-motion feature “Hidari” after watching the project’s pilot film, with his team getting back to the filmmakers about a week after the screening was arranged to set up a Zoom call, director Kawamura Masashi said at the Tokyo International Film Festival, where he also updated the film’s fundraising push. Kawamura, who created, wrote and is directing “Hidari,” appeared with co-director Ogawa Iku at a session reporting on Film Frontier, a talent development program backed by Japan’s Agency for Cultural Affairs and run by festival organizer UniJapan. The program has paid for the team’s travel to markets and industry events.

Reeves’ casting as the lead voice was announced at Cannes in May, but Kawamura said the actor had seen the pilot before the festival. From then on, Kawamura kept Reeves at the top of his list for the lead voice. The film’s producers took that seriously, found a way to reach the actor and arranged for him to watch the pilot.

Then we got on the call and Keanu was there on the other side.” “Hidari” has also caught the eye of “RRR” director S.S. Kawamura said he met the Indian filmmaker at Annecy, showed him “Hidari” and ended up in a standing conversation of about 30 minutes about how the film was made. How did you make this?’” Kawamura said.

Kawamura said an encounter like that, with a director he would rarely cross paths with otherwise, could only happen at a festival. The team shot the proof-of-concept short around three years ago, paying for it themselves with help from crowdfunding, and posted it on YouTube. It has since drawn about 5.3 million views and roughly 120,000 followers, many of them overseas, according to Kawamura.

Kawamura said the puppet drew bigger crowds than its makers, and the Cannes platform put the film in front of live-action and action fans as well as distributors and agents. Ogawa, who works at stop-motion house Dwarf Studios, attended Annecy this year. He said the technique remains niche in commercial film and TV animation, but festival shorts and student sections are full of it, and studios from Europe, North America and beyond converge on Annecy.

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